![Wagner – Tannhäuser Overture [ANALYSIS]](https://www.gianmariagriglio.it/wp-content/uploads/2021/03/RichardWagner.jpg)
Wagner – Tannhäuser Overture [ANALYSIS]
The luscious, energic and grandiose overture to Wagner’s Tannhäuser.
![Mendelssohn – Italian Symphony – Part 2 [ANALYSIS]](https://www.gianmariagriglio.it/wp-content/uploads/2021/02/Mendelssohn_Symphony_4_Italian_Movement_3_4.jpg)
Mendelssohn – Italian Symphony – Part 2 [ANALYSIS]
The elegant 3rd movement and the energic and whirly 4th movement conclude this journey through Italy as seen through Mendelssohn’s eyes.
![Mendelssohn – Italian Symphony – Part 1 [ANALYSIS]](https://www.gianmariagriglio.it/wp-content/uploads/2021/02/Mendelssohn_Symphony_4_Italian_Movement_1_2.jpg)
Mendelssohn – Italian Symphony – Part 1 [ANALYSIS]
The vitality of an Italian piazza and a religious procession: an analysis of the first 2 movements of Mendelssohn’s Symphony n.4
![Mozart – Don Giovanni Ouverture [ANALYSIS]](https://www.gianmariagriglio.it/wp-content/uploads/2021/02/Mozart-Don-Giovanni-Ouverture-analysis.jpg)
Mozart – Don Giovanni Ouverture [ANALYSIS]
Ominous, sparkling, surprising, and most of all ahead of its own time. Find all of this out through this analysis of this Mozart’s masterpiece
![Rachmaninov – Piano concerto n.2 mov. 1 [analysis]](https://www.gianmariagriglio.it/wp-content/uploads/2020/11/Conducting-Rachmaninov-piano-concerto-2-movement-1-analysis.jpg)
Rachmaninov – Piano concerto n.2 mov. 1 [analysis]
The luscious, passionate melody that sweeps you away; the virtuoso parts interlaced with the orchestra; and the challenges of accompanying a soloist.
![Conducting Haydn Symphony n.104 “London” [analysis]](https://www.gianmariagriglio.it/wp-content/uploads/2020/11/Conducting-Joseph-Haydn-Symphony-104.jpg)
Conducting Haydn Symphony n.104 “London” [analysis]
Friend of Mozart and teacher of Beethoven; popular to the point the King of England bowed to him; father of the symphony. We’re talking about Joseph Haydn and his last symphony.
![Conducting Mozart Symphony K504 “Prague” – 1st mov. [analysis]](https://www.gianmariagriglio.it/wp-content/uploads/2020/10/Conducting-Mozart-Prague-Symphony-k504-analysis.jpg)
Conducting Mozart Symphony K504 “Prague” – 1st mov. [analysis]
Part of the major repertoire for any conductor, the “Prague” symphony is challenging in many ways: tempo, harmony, counterpoint.
![Beethoven: Symphony n.4 – mov.1 [analysis]](https://www.gianmariagriglio.it/wp-content/uploads/2020/10/Beethoven-4-symphony-mov-1-analysis.jpg)
Beethoven: Symphony n.4 – mov.1 [analysis]
Full of surprises and joie de vivre: Beethoven’s 4th symphony’s structure, phrasing, harmony and conducting tips
![Tchaikovsky – Romeo and Juliet Overture [analysis]](https://www.gianmariagriglio.it/wp-content/uploads/2020/10/Tchaikovski-Romeo-and-Juliet-analysis.jpg)
Tchaikovsky – Romeo and Juliet Overture [analysis]
At first, Romeo and Juliet was not successful either in Russia or in Europe. But a small but powerful group of musicians showed its appreciation for it: Camille Saint-Saëns, in France, and the group of five in Russia. Romeo and Juliet went from a criticized piece to one of the most loved of all times: its love theme, with its passionate melody, has sunk into our own consciousness.
![Conducting Revueltas: Sensemayá [analysis]](https://www.gianmariagriglio.it/wp-content/uploads/2020/09/Silvestre-Revueltas-Sensemaya.jpg)
Conducting Revueltas: Sensemayá [analysis]
A Latin Rite of Spring, full of mythological dances of the Mayas and the Aztecs and a ritual ending with the killing of a tropical snake: this is Revueltas’ Sensemayá.
Conducting Pills
A FREE video series with an analysis of structure, phrasing, and, of course, conducting tips of repertoire works: from Mozart to Brahms, from Beethoven to Debussy. A new episode every week!
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