432Hz tuning has been abandoned some 60 years ago. But why has 440Hz been favored?
The proptotype of the anti-avant-garde, Dutilleux draws from the French tradition of Debussy and Ravel to build his personal language
After almost 3 years, ARTax, a new company based in The Hague, NL, has finally become a reality
Pickwick was a great program from RAI TV. Last December the same RAI TV humiliated the RAI Orchestra in an unprecedented way.
Djamileh, Bizet’s first mature opera, came right before Carmen. Its music is rich, sensual and beautifully orchestrated, totally worth the listening.
The conceptual opera “Audioguide III” ends with the disruption of 66 violins. Does this serve the kantian philosophical underground of the work?
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