The Weinstein case generated a snowball effect: no, I’m not talking about the lawsuits or the #metoo stories. I’m talking about the side effect on the art world: from a petition to remove a painting by Balthus from a museum to the altered finale of Carmen.
I don’t really hate Boulez. But I don’t like his music. But I do like what he tried to do. And I want more of it.
Four composers from the UK and the US make it for a very interesting album: I find this listening challenging and enjoyable, well conceived in its entirety.
No enemy but winter and rough weather: discovering new music is always exciting. The 6th album of the Shakespeare Concert Series is a great mix of old (16th century) and contemporary music.
The Tempest saw a strict collaboration between Shakespeare and musician Robert Johnson which gave birth to something unique, getting very close to Opera
432Hz tuning has been abandoned some 60 years ago. But why has 440Hz been favored?