Djamileh, Bizet’s first mature opera, came right before Carmen. Its music is rich, sensual and beautifully orchestrated, totally worth the listening.
The conceptual opera “Audioguide III” ends with the disruption of 66 violins. Does this serve the kantian philosophical underground of the work?
The great dramatic tenor James McCray offers his thoughts on some misunderstandings in the modern way of training the voice.