conducting notes
Pass the baton
Conducting technique
Conducting technique: how to break patterns
3 ways to break a conducting pattern: registration, strokes types and body placement – resulting from pitch, notes’ length and dynamics and orchestration
Score analysis
![Beethoven Symphony n.7, Mov. 1 [analysis]](https://www.gianmariagriglio.it/wp-content/uploads/2020/09/Conducting-Beethoven-Symphony-7-mov-1-analysis.jpg)
Beethoven Symphony n.7, Mov. 1 [analysis]
How does a piece of music without any description manage to raise more descriptive explanations than any other work, ranging from catacombs to political revolution? What’s the glue holding the entire symphony together? And what’s one of the biggest issues that arise when interpreting this piece?
![Rimsky-Korsakov: Scheherazade, 2nd movement [analysis]](https://www.gianmariagriglio.it/wp-content/uploads/2020/08/Rimsky-Korsakov-Scheherazade-movement-2-conductor-analysis.jpg)
![Hector Berlioz: Symphonie Fantastique [analysis] 1st movement](https://www.gianmariagriglio.it/wp-content/uploads/2020/08/Hector-Berlioz-Symphonie-Fantastique-analysis-1st-movement.jpg)
Conducting Pills
A video series with an analysis of structure, phrasing, and, of course, conducting tips of repertoire works: from Mozart to Brahms, from Beethoven to Debussy. A new episode every week!
Pass the baton
10 chapters, 11 videos, practical exercises, and examples with scores: this video course produced for iClassical-Academy will show you, through a bar-by-bar analysis of excerpts ranging from Mozart to Mahler and Copland, how to build your own technique in the most logical and effective way.
Gianmaria Griglio is an intelligent, exceptional musician. There is no question about his conducting abilities: he has exceptionally clear baton technique that allows him to articulate whatever decisions he has made about the music.
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