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Schubert Symphony n.5 – Part 2 [ANALYSIS]

Last updated May 12, 2021 | Published on Feb 25, 2021

Winner of a fellowship at the Bayreuther Festspiele, Mr. Griglio’s conducting has been praised for his “energy” and “fine details”. Mr. Griglio took part in the first world recording of music by composer Irwin Bazelon and conducted several world premieres like "The song of Eddie", by Harold Farberman, a candidate for the Pulitzer Prize. Principal Conductor of International Opera Theater Philadelphia for four years, Mr.Griglio is also active as a composer. His first opera, Camille Claudel, debuted in 2013 to a great success of audience and critics. Mr. Griglio is presently working on an opera on Caravaggio and Music Director of Opera Odyssey.
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Table of contents

Menuetto: Allegro molto

Should you need a score you can find one here.

In the first post dedicated to Schubert’s 5th symphony, we briefly touched on the Mozartian influences on Schubert’s musical upbringing and the similarities that Mozart’s G minor symphony, in particular, has with Schubert’s 5th. Well, if there was any more need for some proof in this respect, that would come with this 3rd movement.

Schubert - Symphony n.5 - mov.3 ex.1

From the G minor key to the opening triad in arpeggio to the chromatism, the similarities are under everyone’s eyes. Except for the tempo: Mozart’s is an Allegretto while Schubert’s is an Allegro molto. This, despite the title, gives it more the flair of a scherzo rather than an 18th-century courtly Menuet

The first section ends on a classic Bb. The second section starts naturally in the same key but the most interesting part here is the morphing of the theme. Its mood changes completely: we move from a very strong and assertive forte of the opening to a rather gentle and soft version of it

Schubert - Symphony n.5 - mov.3 ex.2

The 4+4 bars question and answer go on a couple of times, moving down a third

Schubert - Symphony n.5 - mov.3 ex.3
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Notes

Newbould, Schubert and the Symphony: A New Perspective, pp.110-111

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Gianmaria Griglio is an intelligent, exceptional musician. There is no question about his conducting abilities: he has exceptionally clear baton technique that allows him to articulate whatever decisions he has made about the music.

Harold Farberman

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